Friday, January 7, 2011
Ian R. Dougherty
Elizabeth Ketrick
Thursday, July 30, 2009
Saturday, July 4, 2009
Edward Wells II
Friday, June 12, 2009
Linda Kent
New incarnation each lustrum. Untrained/unframed/intuitive/primitive/brute
artist...can't control the outcomes, I just follow the accidents. Sometimes
the magic works -- once in a thousand pictures. I remember practicing
drawing with my eyes closed when I was little. Still do, the whole drawing
in 1 or 2 lines. Almost all I do is ink line drawings directly onto the page.
Now trying color using my B&W drawings like coloring books.
(Very) High school in late 1960's-ʼ71: my amour was an art major at the
state uni so I hung out with artists, contributed to the local underground
comix (Girl Cartoonist !!) and art mag -- .. later modeled at art colleges,
listened to strolling profs critique student work as I stood immobile in
stress positions (yes-- it is very painful, like burning lava amassed in
your knees) -- occasionally a prof'd come up, indicate a spot on, for
instance, my shoulder blade and cry "Look what's happening here!" --
as if a riot were breaking out on my clavicle.
Tarot cards : Drew my own , now pho'shopping them; this 4 of Cups ,
ex.. I've learned tricks from pho'shop filters. etc. that Iʼm trying out in
originals so I can skip the computer. ssA? Computer art FX
supposed to imitate "real" art, not vice versa?
I travel/work globally. Hard-earned MA in Forensic Linguistics, teach
English my way -- just got back from a university post in Beijing...
what a great incarnation that was! Rarely have sold art but for
puppets w/ Uncle Scam. Some painted puppet faces are on AMP
(http://pluginamp.com/network/image/tid/142);all look somehow
traumatized.
I write absurd/surreal short stories; speak and read Spanish: dream
of translating Javier Marias novels...next incarnation...
Friday, May 1, 2009
Dorien Grey
It's not as though Roger has not had an uninteresting life of his own. Two years into college, he left to join the Naval Aviation Cadet program. Washing out after a year, he spent the rest of his brief military career on an aircraft carrier in the Mediterranean at the height of the cold war. The journal he kept of his time in the military, in the form of letters home, honed his writing skills and provided him with a wealth of experiences to draw from in his future writing. These letters can be seen as "A World Ago" at http://www.doriengrey.blogspot.com and will be appearing in book form in 2009.
Returning to Northern Illinois University after service, he graduated with a B.A. in English, and embarked on a series of jobs which worked him into the editing field. While working for a Los Angeles publishing house, he was instrumental in establishing a division exclusively for the publication of gay paperbacks and magazines, of which he became editor. He moved on to edit a leading L.A. based international gay men's magazine.
Tiring of earthquakes, brush fires, mud slides, and riots, he returned to the Midwest, where Dorien emerged, full-blown, like Venus from the sea. They've been inseparable (and interchangeable) ever since.
He . . . and Dorien of course…recently moved to Chicago, where they now devote full time to writing. After having published twelve books in the popular Dick Hardesty Mystery series, the western/romance/adventure novel, Calico, and awaiting the publication of the second book in his new Elliott Smith Mystery series, he is busily at work on yet another Dick Hardesty mystery.
But for a greater insight into the "real person" behind Dorien Grey, the curious are invited to check out his various blogs (Dorien Grey and Me at http://www.doriengreyandme.com , A Life in Photos at http://www.doriengreyphotolife.blogspot.com ) and The Poems of Dorien Grey, from which the accompanying poem is taken, and which is available as a download from GLB Publishers (http://www.glbpubs.com)
Friday, April 10, 2009
Michael A. Crowley
The first picture I ever took was in the Navy Photo school, and while the rest of my naval trainings have been long forgotten, the photography has stayed.
I was born in the midwest and after much movement, have ended up here in
Except for those four years in the navy, I have never really used my camera to support myself. It felt like
I’d lose the love I had with light and dark to work commercially. My earliest work was all black and white, home processed, fine-art photography. I went digital about twelve years ago and started doing more color work, though my latest work is back to black and white. I like the lack of chemicals in producing images.
For me, taking pictures is a form of meditation, an enforced act of being present. To see the beauty, you must be there, you cannot be thinking of other times or places- you will miss the only life you have, going on around you. And beauty is everywhere . . . sometimes in the big picture (and most folks catch those moments,) but more often it’s in the fine details that are too easily missed if you are not living in that moment.
Saturday, March 14, 2009
Wednesday, February 25, 2009
Robert King
Sunday, December 21, 2008
Saturday, November 29, 2008
Karen Douglass
Michael A. Crowley
The first picture I ever took was in the Navy Photo school, and while the rest of my naval trainings have been long forgotten, the photography has stayed.
I was born in the midwest and after much movement, have ended up here in
Except for those four years in the navy, I have never really used my camera to support myself. It felt like
I’d lose the love I had with light and dark to work commercially. My earliest work was all black and white, home processed, fine-art photography. I went digital about twelve years ago and started doing more color work, though my latest work is back to black and white. I like the lack of chemicals in producing images.
For me, taking pictures is a form of meditation, an enforced act of being present. To see the beauty, you must be there, you cannot be thinking of other times or places- you will miss the only life you have, going on around you. And beauty is everywhere . . . sometimes in the big picture (and most folks catch those moments,) but more often it’s in the fine details that are too easily missed if you are not living in that moment.
Check out Michael's work on AMP...
http://pluginamp.com/network/image/tid/472
Friday, November 14, 2008
Wednesday, October 22, 2008
Candace Byington
Candace’s art is heavily influenced by Mexican folk art, the self-portraits of Frida Kahlo, flower
paintings of Georgia O'Keefe, works of Edvard Munch and the woodblock cuts of the German
Expressionists. Her work explores the seven deadly sins, escapism, the solitude of the desert southwest, the glory and gore of ancient Mexico, the whimsical and macabre atmosphere of the day of the dead festival and the serenity of the sunset. Recentlty she has become obsessed with waterlillies. Candace has a BFA in Fine Art from Bowling Green State University. She is a graphic artist for Custom Deco LLC. Her work is drawing, painting printmaking and paper masks.
Michael Lira
Saturday, October 11, 2008
Friday, October 10, 2008
Wednesday, October 1, 2008
Junanne Peck
Saturday, September 13, 2008
Janet Snell
I studied painting with the late Ed Dugmore at the Maryland Institute
College of Art in the seventies, and make a living doing semi-realistic
portraits and expressionistic paintings. My most recent book,
co-authored with my sister Cheryl, is called Prisoner's Dilemma,and
will be out soon from Lopside Press. We blog at Scattered Light,
Saturday, September 6, 2008
Debra Bretton Robinson
Debra Bretton Robinson has been a resident of Chelmsford , Massachusetts for 8 years. She grew up in Plaistow, NH and received a Bachelors of Fine Arts degree from the Massachusetts College of Art in Boston. She also attended the New England School of Art & Design, now a part of Suffolk University in Boston. Debra works in acrylic on canvas and collage on wood. She has always been intrigued with architecture and how it can be manipulated in her paintings. Debra is a true colorist. She is unafraid to try new and bold color combinations in her work. Her main influences are Matisse, Edward Hopper, Alice Neel and of course, Noredin Morgan. She keeps these masters in mind when using color and light to overwhelm her canvases. Debra feels drawn to the past architecturally but uses the fresh colors of the Fauve’s for buoyancy into the future and present. Debra is participating in a group show entitled Mask at the 119 Gallery in Lowell, MA from 9/2/08 to 9/30/08 with a reception on 9/13/08. Please contact the 119 Gallery at www.119gallery.org for more info. Or contact her through her website at:
Donna Pecore
Friday, August 29, 2008
Michael A. Crowley
The first picture I ever took was in the Navy Photo school, and while the rest of my naval trainings have been long forgotten, the photography has stayed.
I was born in the midwest and after much movement, have ended up here in
Except for those four years in the navy, I have never really used my camera to support myself. It felt like
I’d lose the love I had with light and dark to work commercially. My earliest work was all black and white, home processed, fine-art photography. I went digital about twelve years ago and started doing more color work, though my latest work is back to black and white. I like the lack of chemicals in producing images.
For me, taking pictures is a form of meditation, an enforced act of being present. To see the beauty, you must be there, you cannot be thinking of other times or places- you will miss the only life you have, going on around you. And beauty is everywhere . . . sometimes in the big picture (and most folks catch those moments,) but more often it’s in the fine details that are too easily missed if you are not living in that moment.
Melanie Simms
Wednesday, August 20, 2008
Saturday, August 9, 2008
Anna Maly
http://www.anna-maly.com/
Michael Pacholski
Michael Pacholski was born in 1968 in Fort Atkinson, Wisconsin. He currently resides in Decatur,
Illinois. In 2000 he received a masters degree in Creative Writing from Illinois State University. His
work has been featured in Comstock Review, PW review and other magazines.
http://gallery.poetshaven.com/singlepage.php?html=bookcontents.php&footer=1§ion=21&page=94
Sunday, August 3, 2008
Saturday, July 26, 2008
Saturday, July 19, 2008
Peter Schwartz
http://www.sitrahahra.com/
Donna Pecore
http://chicagopoetry.com/modules.php?op=modload&name=News&file=article&sid=624&mode=thread&order=0&thold=0